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the court verdict was issued. This is not the subject of our   overcome the greatest opposition for preserving the complex
          discussion.                                            system. Proceeding from the new political-economic reality
                                                                 the paid sector was founded in the School, which for a certain
                                                                 period of time even formed problems – it is quite strange,
              RENAISSANCE                                        but the parents, who paid for their children’s studies, despite
              NINA                                               artistic potentials of their children considered they should
                                                                 dance main parts. The School authorities gradually tried to
             In 2004 Nina  Ananiashvili headed the School as its   eradicate this “system”. Even more, today, if the students of
          artistic director; the School director is Zviad Bakradze. When   the paid sector reveal hard work and improve skills with the
          Nina came to the School, it was practically disintegrated.   help of the teachers, such students are transferred to the
          The students had their lessons in general subjects and ballet   unpaid sector. It is easy to imagine what a good stimulus it
          classes  in  different  buildings.  Sometimes  it  happened  so   is for the  future dancers. Whoever looks at the ballerinas,
          that they had no building for lessons and had their lessons   always smiling young women, fluttering like butterflies, does
          figuratively in the “buses”. Such was the School to which Nina   not know that they have firm will and are purposeful “steel
          Ananiashvili came then – renowned ballerina, who needed no   orchids”. They often have to come to the stage with the blood-
          additional title to her fame. In this respect the School is lucky   skimmed legs and behind the scenes their faces are often
          – first Chabukiani refused being premier in the big city and   distorted from pain and still they come and dance to please
          conducted cardinal reforms in the School, which was based   and charm the audience with their art, and also to amaze the
          on the strong foundation of Perini and Javrishvili. This time,   spectators once more. This requires strong will and this will
          in the heaviest period for the School another great famous   should be elaborated from the early childhood and should be
          dancer Nina Ananiashvili returned to her home country. The   strengthened as well. The School teachers chose that way
          School faced great problems also  because the  so-called   from the very first years. Unlike from the teaching structure
          education  reform started. Unfortunately,  the  revolutionary   of Chabukiani’s and further periods, when the students were
          reforms  rarely  bring  success,  more  when  the  reform  is   received by selection only from the fourth form, at present
          conducted by incompetent persons and at the level of very   they  are  received  to  the  preparation  classes  from  the  first
          fast experiment (which is inhuman, as it is wrong to make   form.  The most  experienced teachers  give  the students
          experiments with children). The main thing is that no specific   lessons  in  classical,  Georgian,  historical-everyday  dances
          features  of  the  art  schools  of  special  profiles  were  taken   and in rhythmic; the lessons are held in stretching, which
          into consideration; in the period of Vakhtang Chabukiani   at the first sight seem strange and which are necessary for
          through his hard efforts, a complex teaching was introduced   the formation of the future dancers’ body. In parallel, general
          – classical dance and general subjects. It was a wise system,   subjects are also taught… The first class students are so very
          which was being improved within the years and enabled the   charming, some of them being a bit plump. But after a few
          students not to lose time to go to two different schools. Just   months they become far thinner, more refined… Studies in
          the “revolutionary” ideas on dissolution of this time-approved   the Choreographic School are too difficult! The final selection
          system were initiated by the people, which were unaware of   starts from the fourth form by serious three-round examination
          the importance of art and education.  Through the hardest   and those are chosen, which possess the skills necessary for   59
          efforts  of  the  School  new  authorities  it  was  managed  to   the future dancers either by nature or through studying in the
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