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undressed, although they were very hot from dancing.  This   beloved even with the tip of his finger. He simply wants to
                       was repeated several times and the boys undressed slowly   present his own self to her; driven  by youthful desire  he
                       but  without  defiling  the  virtuous  feelings  of  the  onlookers   spreads wide his hands like an eagle, makes free circular
                       and then in the same slow movements they would put on   moves in front of his beloved, carries his neck beautifully,
                       their clothes. The dance continued long and required great   makes moves of his feet so fast as if does not touches the
                       endurance from the performers. We would like once more to   ground. After inviting the lady to dance, his passion calms
                       stress that Georgia is an Orthodox Christian country and the   down giving way to great respect and reverence and in an
                       lovers of such a dance simply could not give themselves the   honorary  distance  he follows the woman,  who  is sliding
                       right to perform such bold dances. Only professional dancers   like a swan. For some time the woman dances alone,
                       or kinto-like frantic plebs could dare to perform “Kolsarma”   gently holding up her hands; being a bit restrained, but still
                       and “Ialas Tamashoba”. It is of special mention that in the   coquetting  with the man; she expresses  permanent  wish
                       Georgian dances we often come across choreographic or   to subdue him, to enjoy his worship. In the finale, they are
                       musical  motifs of neighboring, friendly  or hostile  nations,   together in the whirl of passion without showing an erotic
                       which indicates open relations of our people to the foreign   move. They are occupied in this whirl. The woman covers
                       culture and, on the other part, all this enriched the national   her face shyly with her hand, which  strongly inspires  the
                       choreography.                                          man. It seems he loses his restraint, trying insistently  to
                           Sometimes it happened so that the best samples of the   look into her face, wants to read in her eyes the verdict to
                       Georgian dance were given the names of a foreign country,   his emotion, does not allow her to move freely, but as soon
                       which  needed  fight  for  returning  the  national  belonging.   as the music stops, this love mystery ends too – the man
                       Unfortunately, such events are not quite rare – our friends   lowers his head thanking the woman for happiness received
                       and enemies often try  to  appropriate  our writers or our   from the dance.
                       alphabet, saying they are their authors; sometimes they    Such is the dance culture of Georgia, but due to the
                       dispute with us for architectural monuments and, in general,     strongest troubles the country faced during its hard history,
                       even for our territory. One among such disputable issues   Georgia  failed  to bring  this culture  to a higher  classical
                       is dance of couples – “Kartuli”, which was somehow called   stage. In the period when in the heart of Europe – in the
                       “Lekuri”. This was opposed first by dancer and teacher Aleksi   Renaissance Italy – opera and ballet scenic art was being
                       Aleksidze and then, by Dimitri Janelidze, researcher of the   formed, Georgia was desperately fighting against numerous
                       Georgian theater. They proved that the moves of this dance   enemies raiding the country from all over. This continued for
                       do not coincide with those of “Lekuri”, neither the order; what   centuries. In 1453 after fall of Constantinople and dissolution
                       is most important, Lezghins are of Muslim religion, which   of  the  Byzantine Empire, Georgia, being the  last  outpost
                       makes it impossible for a boy and a girl to dance together.   along  the whole  perimeter  of the European  Christianity,
                       Charming lyrical duet of “Kartuli” dance tells us about love   appeared to be in isolation for almost 300 years from the
                       affair of one couple only. “Kartuli” is a generalized image of   European  civilization.  That’s why it is not surprising  that
                       refined relations between a knight and a lady. It shows how   Georgia  was  cut from the European  cultural-educational
                       a courteous and gallant Georgian man imagines his attitude   processes for  the same period.  The Kingdoms of  Kartl-
           40          to his beloved. It shows well his great love. But, whatever   Kakheti and Imereti were divided between the Ottoman
                       passionate fire is burning inside him, he never touches his   Empire and Iran.  Georgians  time  and again arranged
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