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rebellions,  but they were not  followed by any essential   the European type developed in Georgia. Vorontsov, as a
          positive results. The country was experiencing aggravated   state official of the Russian  Empire, had his own political
          social-political and economic crisis. King of Georgia Erekle   goals. He suggested the high authorities to found the
          II (1720-1798) tried his best to find the way out. In 1783 he   Russian theatre in Tbilisi not for the purpose of enjoyment
          concluded the protection agreement between Georgia and   or entertainment, but for pragmatic considerations: theatre,
          Russia – the so-called “Giorgievski Treatise”. He hoped that   in his opinion, was an establishment, in which the local
          Christian  Russia would  protect his Christian  country from   population  would  familiarize  with the Russian  language,
          the attacks of Turkey and Iran, but the Russian Empire did   the Russian habits and customs and thus  gradually  their
          not observe any single article of the Treatise. Even more,   merging with Russia would be promoted. Vorontsov,
          Russia abolished  the Kingdom of  Georgia, deprived the   together with his wife, often arranged receptions and balls,
          Georgian Orthodox Church, which was 600 years older than   invited renowned representatives of the Georgian nobility,
          the Church of Russia, of its autocephaly and delegated its   had friendly relations with them and easily agreed to Giorgi
          governing to the Saint Synod of Russia. In every possible   Eristavi, who appealed to him with the request to direct his
          way Russia restricted the Georgian language  and the   play in the assembly hall of the Royal Gymnasium on 15
          Georgian  culture.  In  1801  Georgia  was  finally  formed  as   January (1 January by old style) of 1850.
          one of  the  component parts  of  the  Russian Empire.  The    Soon Vorontsov started preparations for building the
          Georgian  royal dynasty of the Bagrationis  was abolished   Opera  Theater. Agreement was concluded  with honorary
          and Vicegerent of Caucasus was appointed.              citizen of Tbilisi, large capitalist Gabriel Tamamshev, who
             Starting  from  this  period  permanent  fight  is  ongoing   had to build a two-storey stone theater building at his own
          to rescue the national culture. Musical-literary salons were   expenses on the land plot owned by  him in the  Erevan
          being formed, wonderful  national and European  music   Square (the present  Tavisupleba Square in front of the
          was heard at the feasts and gatherings along with dances,   Sakrebulo - the City Council). Then he had to transfer the
          songs and classical musical compositions, but this was not   building into the city ownership. It was named the Theater
          development of professional cultural spheres. These events   of Karvasla (Caravanserai), because merchant Tamamshev
          were arranged by the representatives of some aristocratic   retained  the right to preserve the trading  centers in his
          families:  the families  of Chavchavadze,  Orbeliani,   ownership.  The project of construction was compiled by
          Baratashvili, Palavandishvili, Eristavi …              architect Giovanni Skudieri, and was decorated by artist G.
             In the 40s of XIX century a dance  class opened  in   Gagarin (1881-1893).
          Tbilisi, headed by ballerina  Antonelli. It  permitted only   The building cost half a million ruble and with its volume
          girls and its door was closed for boys. For her dance class   and interior decoration and wealth was no less impressive
          Antonelli did not set the task to prepare professional ballet   than the Opera Theaters of the European capitals. Famous
          dancers. Her purpose was to teach the ballroom dances to   literary  and  theatrical  figure,  Count  V.  A.  Sologub  was
          the representatives of high aristocratic families. Antonelli’s   appointed to the position of theater director.
          dance class did not last long.                             In  November 1851 the opera of  Gaetano Donizetti
             In 1844, adjutant-general  Mikheil  Vorontsov was   “Lucia  di  Lammermoor”  was  performed,  the  first  ballet
          appointed to the position of Vicegerent of Caucasus. Just   production was an extract from “La Sylphide” by Georges   41
          through  his  efforts  and  promotion  theatre-musical  life  of   Nettshoppers  and  different  dance  compositions.  For  this
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